How Did Lullabies Develop

Putting a crying baby to sleep is hard as any parent likely knows. This has been an age old problem that is evident from a long history of parents attempting to put their children to sleep using song or music as an aid. The history of this starts soon after recorded history began and it is clear the problem of getting children to sleep has been going on for many cultures across time.

Early History of the Lullaby

The earliest lullabies recorded are from Babylonia, in modern day southern Iraq, where the lullabies are not only songs to help babies sleep but they have characteristics we may find somewhat menacing. The piece mentions that the baby has cried and is waking up and disturbing the house god. Other lullabies from Babylonia were even darker, with threats that the baby would be eaten. While this may sound harsh to us, we should keep in mind of course many lullabies, including our own, have dark undertones such as death or pain caused to the child. Lullabies, with their melancholy rhythm, often have dark undertones in many cultures and that has stayed relatively consistent from their origin. Lullabies were also used as a basis to create magic spells used by Babylonian to help ward evil. So it may have been that saying bad or harmful things was intended to do the opposite, which was protect the baby from evil spirits. In Egypt, the mid-second millennium BCE lullaby, called Magical Lullaby, talks about protecting a child from evil spirits. Spells in Egypt involved some spell recitation, ritual, and a magician to be involved; however, lullabies seem to be one type of spell or magic that normal people could practice. However, it was important to cast the spell properly so lullabies were important for their words of protection from evil or night spirits. In fact, it was these evil spirits that were seen as making a baby cry so the soothing voice helped protect with that protection seen as putting a baby to sleep.

In fact, in the Greco-Roman world, similarly lullabies often had negative connotation and were equated or incorporated magic or spells that the singer would seemingly try to induce to help protect babies. Night would have been seen as potentially a very vulnerable period for a baby and songs would help sooth a baby but also the lyrics were intended to act as spells to help protect a baby from the darkness, which was equated with harmful things that may inflict a young baby. Scholars have, in fact, suggested that lullabies were effectively spells and the soothing sounds were seen as evidence that such spells may have helped babies sleep and avoid the harm that night may cause on a child.

Later Developments

During the Medieval and early modern period, it is likely many lullabies we know, such as Rock a Bye Baby and Highland Fairy Lullaby developed. Interestingly, many themes we see in the earliest lullabies remained. As with early societies, fear of the dark and its potential evils on a child seem to prevail in the words of most lullabies. The songs themselves are soothing but lyrics regarding danger, death, and even babies being stolen by thieves are common lyrics in not only the lullabies we know but also those that have been recovered from historical texts. The origin of lullabies such as Rock a Bye Baby are generally unknown; one theory has been that the lullaby originated from observations of Native Americans using tree branches to suspend cradles from. So the fear of branches breaking and a baby falling from a tree is possibly reflected by this observation.

Cross cultural comparisons of lullabies also indicates a fear of the dark and unknown is a common theme in lullabies. For instance, in Iceland Bíum Bíum Bambaló, sung recently by an Icelandic band, is a terrifying lullaby about a face lurking outside and looking at the window. Fear of what is waiting for baby and with the baby possibly taken if the baby goes outside. Even in the New World, lullabies developed to be menacing in their lyrics. For instance, Dodo Titit is a Carribean lullaby that talks about a crab eating a baby. In Brazil, the lullaby Nana Nenê is about an alligator named Cuca that might get the baby if he or she stays noisy or cries. In Indonesia, an old lullaby of uncertain date reflects a roaming giant on the island that searches for crying babies. Interestingly, in Japan, rather than scary themes, lullabies are often more melancholy, reflecting a mother longing or missing her child. Lullabies such as the Itsuki Lullaby reflects a mother missing her child as she is away, although even here there is fear in the lullaby. In this case, the fear is if the mother dies who would take care of the baby. In Malaysia, no harm happens to the baby but baby chicks seem to die in the lyrics during a count down of numbers. Overall, we see a kind of sad or depressing but often frightening theme to lullabies. This also could reflect the melancholy nature of many tunes.

The Modern Lullaby

Many modern lullabies, of course, are based of their ancient or older counterparts, with themes often focused on fear, lurking dark creatures, or even death. However, studies do also show that lullabies in the past and modern period have beats that do help babies calm their hearts and that a song in a quiet tone with humming often has the effect of relaxing muscles and reducing blood pressure. Lullabies that have been composed recently often do not have the same melancholy or depressing nature of earlier works, although sometimes they do, while a modern rhythm and tunes accompany these works. Works such as Azure Ray have lyrics about not being able to sleep, but the tune appears to be more happy. Even old lullabies such as Rock a Bye Baby or Hush Little Baby have been adapted with often less melancholy beats.