How historically accurate is the Medici Masters of Florence Series

The series Medici: Master of Florence is a family drama of the famous Medici household that shaped the Italian Renaissance in the 15th century and continued to be influential long after. The series begins with the death of the household patriarch, Giovanni di Bicci de' Medici who may have died of poisoning, and the subsequent control of the family business by Cosimo de' Medici, who then led the household along with his brother Lorenzo de' Medici.

What story does the show tell?

The series begins with the poisoning of Giovanni di Bicci de' Medici (Dustin Hoffman) and Cosimo de' Medici (Richard Madden) taking over the by then well known and established Medici bank. By this time, the business was flourishing and among the largest in Europe with branches in many cities. The family also had close connections with the papacy, as they were responsible for the finances of the Pope. Throughout the series, flashbacks show Giovanni training his children, Cosimo and Lorenzo, in the family banking business. Giovanni was also obsessed with controlling his children's' lives, including who they could marry. Cosimo was influenced to marry Contessina de' Bardi (Annabel Scholey), which ended up being a sometimes strained marriage, although Contessina was loyal to Cosimo. Giovanni and his other son, Lorenzo (Stuart Martin), also had a terrible relationship. Giovanni constantly meddled in Lorenzo's love life.

The first season focuses on two separate, but related stories. First, Cosimo was elected to an important seat in the Signoria of Florence, which was effectively its government. His election to the Signoria caused great jealousy among his rivals, namely Rinaldo degli Albizzi (Lex Shrapnel), who headed the Albizzi family. Second, Cosimo's father was murdered and it was investigated by Marco Bella (Guido Caprino), a close family associate. The rising power of Cosimo created a power struggle in the Signoria, with Rinaldo eventually successfully accusing Cosimo of usury. While Cosimo avoids being sentenced to death - he was exiled to Venice, but his exile was temporary.

Cosimo later returned after Florence's fortunes declined. Florence was in financial trouble because the city's mercenaries had become a burden. Signoria decided it was time to invite Cosimo back Florence. In his return, Cosimo successfully in exiled his Albizzi rival, who had taken control of the government in Florence. Tensions in the investigation of Cosimo's father murder boiled over as at first Lorenzo and then Marco was accused of murdering Giovanni.

Meanwhile, Albizzi is murdered just as began his exile. People immediately assumed that Cosimo was responsible for his death because Albizzi was seen as his main rival. However, Cosimo was not involved but another member of the Signoria and the head of a Florentine prominent family, Jacopo de' Pazzi (Daniel Caltagirone), rubbed out Albizzi. He had Albizzi killed and sought to try to frame Cosimo so he could take the banking account of the Papacy. Essentially, he wanted to kill two birds with one stone.

Unfortunately for Pazzi, this plot failed when a letter was uncovered that implicated him in Albizzi's death. Lorenzo, Cosimo's brother, however, was killed after he and Marco captured a Pazzi assassin. Nevertheless, the Medici family gained some of their previous prominences as they regained the Pope's (David Bamber) favor and ultimately Florence's. The murder of Giovanni is finally uncovered when the Medici's a close banking associate, Ugo, confessed to murdering Giovanni. Ugo Bencini (Ken Bones) was ordered to kill a lover of Lorenzo's that was pregnant with Lorenzo's child. Unfortunately, he had to kill Giovanni as part of the plot and regretted the murder.

Characters

Figure 1. The dome was designed and built by Brunelleschi, who was supported by Cosimo.

Cosimo de' Medici (1389-1464): The series depicts him as a wise and cunning head of the Medici family who also began the tradition of patronizing the arts that the Medici family became known for in the Renaissance. Historically, this was certainly the case and he was often seen as the first great head of the Medici family in the Renaissance period, although his father Giovanni helped to establish the Medici bank. The series shows Cosimo learning much from his father, but family tension also created a sometimes strained relationship. In particular, Giovanni was keen on having his sons, in particular, Cosimo, marry women that provided greater power to their family. Cosimo's love of the arts was shown early on, although his father was seen as someone who discouraged such pursuits. Cosimo is historically known to have commissioned Donatello's David, which was a controversial piece for its time. He is shown as supporting Filippo Brunelleschi in his work in completing the great dome of Florence's cathedral. While Cosimo's support is accurate, others in Florence also support Brunelleschi in his masterpiece (Figure 1).

Giovanni di Bicci de' Medic (1360-1429): He was the chief founder of the Medici Bank that ultimately gave power and wealth to the Medici family. Much of the business acumen that Cosimo learns comes from Giovanni, which is likely true given Giovanni's great success in establishing the bank and making the family perhaps the wealthiest in Florence by his death. The first episode suggests Givoanni was murdered, but there is no historical data to support this. Furthermore, the series depicts his death in a warmer season, but he died in winter.

Contessina de' Bardi (1390-1473): She is depicted as having to marry Cosimo, where both were unhappy for a period but did eventually learn to live with each other. As the series depicts, she was from an old noble family that, in fact, had lost much of their wealth. Cosimo marries her for her family connections and name, while Contessina is married to Cosimo for his family's wealth. The series depicts her getting involved in the political matters of the city and saving her husband from execution, prior to Cosimo being exiled, but in reality, this likely never happened and others intervened to save Cosimo.

Lorenzo de’ Medici (1395-1440): He is the younger brother of Cosimo who helps run the bank with Cosimo after their father's death. While he did, in fact, run the bank's business in places such as Rome, helping to lead that important branch of the bank, he likely died of natural causes and was not murdered.

Marco Bello: In the series, he is an important associate of the Medici family. He leads the investigation of the murder of Cosimo's father. However, he later leaves Florence because of the false accusations against him by Lorenzo and Cosimo in their father's murder. Nevertheless, he retained loyalty to the Medici family by helping to uncover the Pazzi plot. There are no historical documents about his existence.

Historical Accuracy

The series has a mixed record in depicting historical events. Many of the buildings, for instance, the famous Florence Duomo, was shown, but the facade depicted was not built until the 19th century. The series takes liberty with some important historical facts, such as how characters, including Lorenzo, Giovanni, and Albizzi died, but in reality, all of them died a natural death. Cosimo's wife probably was not as involved in politics as depicted, given that society was very patriarchal at this time, although she may have used some indirect influence. The Albizzi was shown as being against the type of art the Medici tried to promote and actively tried to stop work on the dome in the cathedral, but we know little about this.

Other facts are at least partially accurate, such as the exile of Cosimo, the decision to exile Abruzzi, and the war with Milan shown. Venice was, in fact, where Cosimo did go into exile. Furthermore, this likely was the main reason why Cosimo was invited back to Florence, as Cosimo had withdrawn his banking activities from Florence, helping to enrich Venice as capital began to flow there. The slave Cosimo obtains as a gift from Venice, Maddalena, did exist and he did, in fact, father a son with her, who did later become an important priest supported by the Medici family despite being illegitimate.

The family's rise during Cosimo's father's time is accurate, and they did influence who became pope through manipulation of cardinals. It is not clear, however, that Giovanni was against patronizing the arts. He simply may have been more focused on enriching his family and establishing the bank. He likely did influence who his sons would marry, but this was not unusual for the time and most families would often marry their children off due to the influence of the family patriarch. It is true, however, that Cosimo began the tradition of patronizing the arts and architecture that the Medici family became known for in the Italian Renaissance. Indeed, Cosimo was one of the most important figures in the early parts of this period.