Changes

In the 1840s, daguerreotype photography launched photography as a new discipline and made it more accessible. It also made the idea of portraits popular among the middle classes. Very soon after the introduction of photography to the wider public, it quickly became a medium in which people saw death and life as two things that could be displayed using photography. Previously, only wealthy classes were able to afford and commission portraits of themselves. While technology began to rapidly change in the mid-19th century, opening up new possibilities for consumerism, other trends that were common before this continued. Perhaps among the most telling was the trend of high infant mortality and high mortality among urban populations that were exposed to new forms of infectious diseases, including high incidences of cholera. High The introduction of photography and high death rates and increasing population meant a new market began to emerge in many industrial countries as families experienced the sharp loss of losing a loved one while looking for ways to memorialize them. This began the tradition of death or post-mortem portraits. There were earlier, Medieval and early modern traditions in Europe, in sculpture and paintings, that showed the body or deceased in different form of decay after they had died. Death masks were common from the Medieval period and throughout the modern period, including in the 19th century. These were often done to remind people of the presence of death and the need for Christ and God to save someone from eternal decay. However, showing someone almost immediately after they died in a portrait or even posing manner was a new, mid-19th century tradition that emerged in Great Britain, the United States, and in Europe (Figure 1). It was change to technology, namely photography, and finding new ways to deal with death that made post-mortem photography an emerging cultural phenomenon in much of Western cultures in the 19th century.<ref>For more on the development of post-mortem photography, see: Ruby, J. (1995). <i>Secure the Shadow: Death and Photography in America</i>. MIT Press.</ref>